Attending When Rachel Met Fiona at The Space Theatre, I was met by a thin traverse stage, with the audience sat on either side. A tall set of shelves were situated upstage, while a small coffee table stood to the left of the stage. Naturally the staging choice sparked my intrigue, but once the play began it felt like a clever way of bringing Rachel and Fiona’s relationship to life.
Performed by Megan Jarvie and Florence Russell, When Rachel Met Fiona is an incredibly well written lesbian love story by Colette Cullen, which reveals snippets of Rachel and Fiona’s relationship, from its onset to its decided finish point. I found the dialogue incredibly moving, as well as witty in its ability to portray both the mundanities and tribulations of love. The story begins, like all best love stories, in a less than ideal fashion, with one person already dating someone else. This sets the tone for the play; one which is honest, open, and sometimes ugly in its exploration of love. As we move through the play, the traverse stage serves to show the ebbs and flows of the relationship as they are frequently at opposites ends, swapping sides or varying their height. This in turn causes the audience’s heads to move from one end to the other, making the push and pull of their relationship physical for the audience.
The passing of time in the play is usually signified by a scene change, where the lighting will dim momentarily and the scene’s opening line reveals how far along in their journey we have travelled. A new scene comes with a new prop each time. Frequently this was alcohol, but other significant or homely items are brought into each scene. This was a clever way of not distracting from the scene, while also bringing something new into it. At several points in the play, the stage becomes like a black board that they can draw on with chalk, physicalising their thoughts into something material.
However, I couldn’t help but feel like I still wanted more from the direction in this show, as there were times where I felt that – due to the pure brilliance of the script- I could’ve just shut my eyes and treated it as an excellent audiobook. I wanted to not be able to take my eyes off them, but I think there was too little action to achieve this. Maybe it is a limitation of a script which is so descriptive, but I think because it was stripped of its naturalistic setting, we needed to see something more in their performance to account for that. Instead, we received a very ordinary portrayal of a couple, within a slightly less ordinary backdrop. I was left craving for something to watch.
That being said, the show was a brilliant exploration of LGBTQIA+ relationships, containing content such as fertility treatment and division of labour within the home, performed with amazing sincerity by Florence and Rachel, who were both well suited to the naturalistic style. It is important to recognise that there is still far too little on stage which explores the realities for LGBTQIA+ people, and When Rachel Met Fiona does this beautifully.