Detailing the police investigation of ‘the biggest manhunt in British history’ The Incident Room looks at the inside events of the Yorkshire Ripper case. It presents a re-enactment of the case’s developments over the years over leading up to his conviction.
What I loved…
- It’s thorough.
It gives a detailed account of the investigation into the Yorkshire ripper case, meaning it is genuinely interesting from a historical standpoint. Having said that this is not just one for the history nerds.
- It’s authentic.
Set in a 1980s northern police station it’s a great step back in time. Think no computers, sexism and ‘simpler times’- making for a much greater piece of theatre but far worse police services. It’s comedic, raw and honest.
- The staging.
This was my favourite set that i saw at The Fringe- having said that Fringe isn’t exactly known for its sets- but the use of space is well thought out and the interactive filing cabinets and the multi-use single door was clever while also being in tune with its naturalistic style.
- The acting.
Last but not least this is the best piece of naturalistic acting I saw at The Fringe. Best Actor award goes to the woman who doubled as the police woman and the victim of attack (excuse my lack of clarity here but it did not come with a program). Despite being the underdog she was brilliantly Yorkshire, hilarious and committed to both roles.
If you want a gripping naturalistic piece of theatre this is your man (excuse the pun)
03.08.2019. Not for the faint hearted.
Lucy is utterly brilliant, fearless and spontaneous in her latest piece Post Popular. Her piece combines theatre, dance and vocals in a thoroughly interactive piece which relies upon audience participation. A dramatic retelling of women throughout history, from Eve to the present day, Post Popular is far from what you might expect.
The piece acts as a statement of female power while simultaneously reflecting on the lack of female presence in our history books. Lucy, with her incredible comic timing, unrelenting commitment and brave choices counterbalances the weak and lacking women in the stories. This idea is amplified by the two men which accompany Lucy throughout the piece acting as her extras but appearing more like her servants.
In order to not give too much away I will end this review here simply to say if you are not afraid to get your hands dirty, it’s a must see.
Warning: contains nudity and strong language.
09. 04. 19
Tonight I saw the first of what is going to be a week long run of the production ‘Stream’, which is divided into two short plays split by an interval. Despite being in the same production these two plays are highly contrasting in style and theme as my review will show.
If I had to sum up Salmon in a word it would be, claustrophobic- a description which can only probably be fully understood after watching the production. Everything in this play overlaps: speech, space, meaning- making the small upstairs theatre at The Drayton Arms pub a very apt space for this production. The play begins as what appears to be a comment on the mundanity of life as we hear the story of a young Scottish man, from a town where nothing much happens whose dog recently died. However, as the play unfolds it shows itself to be a powerful watch, rich in meaning. Some of the best aspects of this production was undoubtedly the writing- language and especially imagery is used very originally throughout. I also found the actors Scottish accents thoroughly convincing, their timing well executed and commitment to the characters strong. I think if I were to critique this production at all I’d suggest slowing it down in places, the fast pace generally adds to the claustrophobia nicely, however in places speech gets lost and we are left wanting a pause. I also think the penultimate scene with the main guy and girl laid together- probably my favourite scene from the whole production- would have made for a more poignant close as it offered a welcome stillness. However, these are simply points for the company to think about as they head off to The Edinburgh Fringe Fest where I have no doubt they will do well. The production is running for the remainder of the week in The Drayton Arms, London and if you are heading to Edinburgh and you are looking for a thought -provoking watch, definitely give these guys a watch.
My rating 7/10
Mom Bob is simply a great feminist watch, acting as commentary on womanhood as well as tapping into the relatable mundanity of human experience. It’s simplicity, one woman (and some wooden ducks) on stage relaying her feelings about a recent incident in her biological daughter’s life, makes it a profound watch. It covered everything from the extreme side of a woman’s experience- domestic abuse- to the everyday naggings of societal expectations; I found it thoroughly relatable. It is an incredibly well written, as well as, well performed piece by Jane Hancock, the one woman’ed band who both wrote and performed her piece. I was gripped from the second the protagonist began speaking and her monologue succeeded in making me feel every spectrum of emotion from laughter to watery eyes. If this piece was anything to go by, I would recommend seeing another of Jane Hancock’s plays, she’s a force to be reckoned with.
My rating 8/10